Then after a while, a few things started to come together:
With all this, I decided to build a Pro-One using the PCB I had, with some improvements:
Also, I wanted a much more compact machine than the original Pro-One, which is a bit of a bulky machine. There's quite a bit of air in there. In contrast, the insides of the Pro-Mini are quite cramped, making servicing a trying task.
In order to fit everything inside the new case, and because of the extra features I wanted, I had to ditch the original front panel layout of the Pro-One. This meant that I had to remove all the pots and switches from the Pro-One PCB, and design a new front panel from scratch, with new components. Besides, I figured the most likely cause for the pitch instability of the unit I had was a faulty pot or switch, so replacing these components seemed worth while. The PCB was patched to accommodate the changes in the LFO, increased number of oscillator ranges and external digital interface. A Minimoog filter was built from the original schematics on a piece of veroboard, and in turn mounted on the main PCB.
I like to implement slightly odd wheel designs, mostly because I lack the expertise and equipment to do it properly... In the Pro-Mini I've used circular pieces of plywood which I got hold of. The plywood has been lacquered with several layers of lacquer to give it a durable surface. Unusually, the potentiometers have been mounted on the wheels, with the pot axles being anchored in a wood block attached to the case (the same design was used in the MiMi-a synthesiser.
During the reconstruction: disaster! While I was testing I accidentally brushed a wire carrying +15V against a couple of PCB traces, instantly destroying the CEM 3310 envelope chips! Luckily, at the time, PAiA were still selling Curtis chips (this was a couple of years ago), so a quick phone call to the nice folks at PAiA got me back on track about a week later.
The end result is a nice sounding compact synthesiser which sounds exactly like a Pro-One of course, but with the additional feature of having three oscillators and optional Moog filter. The Moog filter is a nice variation, but it must be said that the Moog filter alone does not fully characterize the Moog sound. The Pro-Mini still doesn't feel like a Moog synthesizer just because the Moog filter button is depressed. Incidentally, the name Pro-Mini is a slightly clumsy combination of 'Pro-One' and 'Minimoog'.